Website: http://www.potabilizadora.com
http://www.discogs.com/artist/Potabilizadora
Where to buy: http://nineteenninety.webs.com/
THIS FILE IS PASSWORD PROTECTED! THE PASSWORD IS ineedtobuythis
Bio from the official website:
Potabilizadora begins on November 1992, when Manolo, Fernando and Javier, joined some afternoon to play grindcore under the alias of Pancreas. This project wasn't very successful, so at the end of April '93 Manolo and Javier decided to try joining some project together. That's how Potabilizadora begins.
Armed with the out of tuned Manolo's bass, some rhythmic heavy and crushing bases plus their velvety voices. First Potabilizadora demo tape called "60 songs demo" is out about the end of May'93 released through Cadaverizer Records. The recording wasnt bad at all, but with quite long tracks and a bit poor sound quality.
Just one month later, comes out the 2nd demo called "134 songs demo" and released through Cadaverizer Records again. On this demo sound quality is improved because of the use of a 4 tracks mixer. Shorter and less monotonous tracks than the 1st demo and getting closer to the sound we were looking for.
These early demo tapes had a quite a good response on noise freaks then, this fact encouraged us a lot to going on with this. At that point We were also playing on Genital Masticator and Jangle..
About July and August 1993 we recorded more tracks. 31 for Cadaverizer Spasm Compilation tape on Cadaverizer Records, 51 for Despojo de Ira Compilation #1 on Despojo de Ira Prod., 2 minutes for another comp tape on OLO Prod., plus 176 tracks for the Three Way Tape with Extreme Hair Stench (GER) y Machakakraneos (SPA) on Cadaverizer Records.
After being stopped for a while, we are joining the project again at the middle of 1994 with a great investment, which helped us to improve, make some evolution on our noise and making it more fun and enjoyable. It was Yamaha RX8 rhythm programmer, opening new horizons on our style, always defined by ourselves as Raw Noise.
This way is how we recorded a split demo tape with Ecuatorian band callled Sociedad De Rechazo, released again on Cadaverizer Records. This one is followed by "Despercatos Asofäl, Noghs!" another recording called "Desxförates Ombus Incape: Abo Ter" which was supposed to be on a flexi-ep but for some reasons never got released. Then, on October 1994, we are taking part on a lot of compilations and recording new stuff for B-Gore Records, Bacteria Records and Z.D.P. Records.
Some weird and interesting noise sessions were done, experimenting with electronic drum'n'bass, grind, stupidity elements and noisecore. All this stuff recorded on 1995 stayed unreleased and after them Manolo was moving form the island fact that forced that Potabilizadora split up.
On 2004, it was pure chance that Manolo and Javier met again, and actually they were bitten by the noise bug. Then, with more and better technical resources, they start on making new songs more in the cyber grind noise industrial electronic influenced.
Also, compiling from released and unreleased 1993 to 1995 stuff came out "2004 Promo CDR" as an unofficial Cadaverizer Records release, which was a very low run distribution.
2 years after been playing with new sounds, we are still destroying our instruments. Nowadays we are working on grind-noise-experimental songs we've been doing last 2 years and recording new stuff on our Raw Noise style
At this point, we are expecting on how our story keeps goin on.
Armed with the out of tuned Manolo's bass, some rhythmic heavy and crushing bases plus their velvety voices. First Potabilizadora demo tape called "60 songs demo" is out about the end of May'93 released through Cadaverizer Records. The recording wasnt bad at all, but with quite long tracks and a bit poor sound quality.Just one month later, comes out the 2nd demo called "134 songs demo" and released through Cadaverizer Records again. On this demo sound quality is improved because of the use of a 4 tracks mixer. Shorter and less monotonous tracks than the 1st demo and getting closer to the sound we were looking for.
These early demo tapes had a quite a good response on noise freaks then, this fact encouraged us a lot to going on with this. At that point We were also playing on Genital Masticator and Jangle..About July and August 1993 we recorded more tracks. 31 for Cadaverizer Spasm Compilation tape on Cadaverizer Records, 51 for Despojo de Ira Compilation #1 on Despojo de Ira Prod., 2 minutes for another comp tape on OLO Prod., plus 176 tracks for the Three Way Tape with Extreme Hair Stench (GER) y Machakakraneos (SPA) on Cadaverizer Records.
After being stopped for a while, we are joining the project again at the middle of 1994 with a great investment, which helped us to improve, make some evolution on our noise and making it more fun and enjoyable. It was Yamaha RX8 rhythm programmer, opening new horizons on our style, always defined by ourselves as Raw Noise.This way is how we recorded a split demo tape with Ecuatorian band callled Sociedad De Rechazo, released again on Cadaverizer Records. This one is followed by "Despercatos Asofäl, Noghs!" another recording called "Desxförates Ombus Incape: Abo Ter" which was supposed to be on a flexi-ep but for some reasons never got released. Then, on October 1994, we are taking part on a lot of compilations and recording new stuff for B-Gore Records, Bacteria Records and Z.D.P. Records.
Some weird and interesting noise sessions were done, experimenting with electronic drum'n'bass, grind, stupidity elements and noisecore. All this stuff recorded on 1995 stayed unreleased and after them Manolo was moving form the island fact that forced that Potabilizadora split up.
On 2004, it was pure chance that Manolo and Javier met again, and actually they were bitten by the noise bug. Then, with more and better technical resources, they start on making new songs more in the cyber grind noise industrial electronic influenced. Also, compiling from released and unreleased 1993 to 1995 stuff came out "2004 Promo CDR" as an unofficial Cadaverizer Records release, which was a very low run distribution.2 years after been playing with new sounds, we are still destroying our instruments. Nowadays we are working on grind-noise-experimental songs we've been doing last 2 years and recording new stuff on our Raw Noise style
At this point, we are expecting on how our story keeps goin on.
